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And he’s quick to say he can’t control his fans and wouldn’t dare try. That Snyder would become the town’s poster child for red-pill bros wasn’t his plan. Snyder in his home gym in Pasedena in 2023. You just need to step back for a second and go like, ‘Whoa, what did we do? What happened? How is that a thing?’ ”

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“The thing that I said to Debbie is-the thing that you need to take a second and think about is that your name is so seamlessly sewed together with a pop-culture phenomenon so big it can exist as a joke in a movie about Barbie. But on the eve of arguably his most ambitious project yet, a two-part space opera for Netflix called Rebel Moon, he admits the joke also left him slack-jawed.

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“I thought was great,” Snyder says with boyish enthusiasm, “and I think the joke is pretty good,” saying it’s more a crack about the fandom than it is about him. He had a barbecue, inviting a bunch of friends over to watch Barbie in his private screening room, where plush alpaca blankets from Restoration Hardware warm every one of the 16 recliners, and they all shared a good laugh at their host’s expense. To his credit, Snyder didn’t run from the moment. The Barbie movie has already made more than $1 billion in global box office. (He’d already been pilloried on The Simpsons-“Un-release the Snyder Cut”-and on Amazon’s The Boys.) But it was certainly the most visible. This was hardly the first joke at Snyder’s expense. It’s cool and whatever, I hope you guys understand, we think it’s awesome.’ ” “And he said, ‘Hey, there’s a reference to Justice League in the movie. Warner Bros.’ new CEO, Michael DeLuca, was talking to Snyder’s wife and producing partner, Deborah Snyder, earlier this year. “THEY GAVE US a heads-up,” Snyder reveals here for the first time. Say what you will about the joke (and people have said a lot), but can you imagine making billions of dollars in profit for a studio only to have it turn around and make you the butt of a joke in its biggest summer blockbuster of all time? But as the Barbies wake up-thanks to a powerful feminist battle cry delivered by America Ferrera-one of the dolls mutters: “It’s like I’ve been in a dream where I was really invested in the Zack Snyder Cut of Justice League.” Ryan Gosling’s Ken has brought the patriarchy to Barbieland, brainwashing women into submission. The moment arrives relatively late in the story, though it hits precisely at the film’s emotional climax. The conversation around Snyder hit a fever pitch this past summer with a punchline in (of all places) Barbie. The security division had to get involved. More troubling were the tweets as the Snyder Cut became the white whale for an army of trolls, the worst among them started threatening the lives of studio executives at Warner Bros. Fanboys rented a billboard in Times Square at an estimated cost of $50,000 a day that said #ReleaseTheSnyderCut. And when that Frankensteined film disappointed critics and accountants, Snyder’s Justice League took on mythic proportions. Justice League went through extensive reshoots by another filmmaker. Zack Snyder on the set of 300 with Gerard Butler in 2007. executives wanting, and after weathering a devastating personal tragedy, Snyder left the project entirely. But his 2017 cut of Justice League left Warner Bros. He directed two stand-alone Superman films, hand-picked Gal Gadot to play Wonder Woman, and was generally charged with maintaining a singular vision for this beloved IP. Nothing crystallized his divisive public image more than the relentless social-Åmedia campaign run by fans demanding: “#ReleaseTheSnyderCut.” For about a decade, Snyder had been the architect of the DC cinematic universe. Which is precisely the kind of snarky commentary Snyder would hate. But the worst you can say about that movie (which spawned a popular Spartan workout) is that it was a perfectly mindless thrill-like Gladiator for people who can’t read good. Perhaps it was the hypermasculine tone of his breakout film, 300, a sword-and-sandal epic from 2007 that introduced audiences to both Snyder’s graphic, slo-mo violence and Gerard Butler’s cobblestone abs. “I was just like, Really? You think that’s a cool thing to say? Because you have this perception of me as some sort of supermacho-I don’t think I’m a macho dude. “A lot of intellectuals- I don’t know what you would call it, the cinephile-elite-genre-press people-are kind of anti-me for whatever reason.” He proceeds to quote an article that said: “Zack Snyder probably masturbates every time he says cut.” Here the person responsible for more than $4 billion in box-office receipts screws his face up. “Love him or hate him,” Snyder says of his outsized reputation.

FANBOYS, REDDIT TROLLS, Greta Gerwig-they all seem to have an opinion of Zack Snyder and his work, which most people have decided are the same thing.